With the top four panels complete I can move onto the next four, once again I have started with the largest panel which contains most of the detail of the lighthouse. For the triangular sections in the lighthouse I have managed to incorporate four plain bevels, three of which I have had to cut these are the only pieces of clear glass in the whole installation. They appear white here due to the paper pattern underneath the glass, this also effects the other colours in the panel and at times can be a little disconcerting. Here is a close up of the bevel pieces, I have used Spectrum waterglass on either side to add to the effect of shining light. English muffle and other textured glass were also used extensively throughout the window to give it some ” sparkle ” if you will. Here is a large image of the panel with the light coming through and you can clearly see the effects of the different glass textures, its also worth noting how the light changes the colours of the glass. With this panel complete I then move onto the three smaller side panels. Here they are in the process of being cemented and you can clearly see the different glass textures, after the cement is dry they will receive a thorough cleaning and polish before installation. With these eight panels finished that now completes the top section of the window.
After discussions with the board of management we submitted a number of designs and ideas for their consideration and the above design was eventually agreed upon. As this was based on a square shape we then had to make a working drawing of the whole window incorporating the design into the available space. A secondary frame would also be needed to house the glass panels.
This proved to be a fairly lengthy process and definitely worth taking some time over, once we had the working drawing complete the full size patterns could then be drawn, we had all the measurements to complete the secondary frame and templates could be cut for all individual panels. At this point I had a rough idea of the colors and glass types I was going to use so I figured it would be best to start at the top of the installation, it would then be easier to make any adjustments as I worked down the design. I prefer to work this way as it keeps everything fluid and fresh, I’m never quite sure how it’s going to look until it’s finished and I often get little ideas as I am progressing which I can then add. This was also the largest panel, the top section being 6 inches taller than the bottom section. Having completed this panel I then moved on to the side panels, making some slight adjustments as I now had the benefit of being able to view them placed next to the large panel. There is only one panel on the right-hand side so I have made this first, it is also important to remember that the frame between these two panels is 6 inches wide which is fairly substantial. The inner panel on the left is about 2 inches thinner than the outside panel and of course there are two 6 inch frame pieces on this side of the window, all these different size panels had to be taken into account at the design stage. Here are the three smaller panels together, two left and one on the right. It’s also important to note that the glass will completely change color once it is placed in front of the light. Here are the two left-hand panels with the light behind them spaced 6 inches apart to replicate the frame, as you can see from the previous photo some of the glass now looks clear, it’s just that it is very pale and when all of the window is done everything will blend seamlessly together ( hopefully )
Earlier this year we were commissioned to supply and fit a stained glass window in the new national school in Poulfur under the % for art scheme. This installation was to be placed above the entrance doors at the front of the building and would be visible from both the upstairs and downstairs, the space comprised of an upper and lower section overall size approx.12 ft high by 9 ft 3ins wide.
This panel is featured as a full size pattern in the latest issue of Glass Patterns Quarterly along with a step by step tutorial, we are very proud to be able to contribute patterns to this excellent publication, here is the link https://www.glasspatterns.com/current-issue.html should you wish to purchase.
Clann Credo recently celebrated their 20th anniversary as Irelands leading provider of community finance, Since 1996 they have supported over 800 projects with almost €80 million of social finance.
We were approached by the CEO to create a panel based on their logo for presentation to Sister Magdalen Fogarty, one of the founder members.
Clann Credo pattern first draft
The panel was to be small enough to hang in a window and framed in wood, this was the first draft of the pattern which was the CEO’s idea.
Clann Credo cut and leaded
The idea was agreed and the I made the templates and proceeded to cut the glass, the outside of the panel has been constructed using lead came. This seemed to work better with the design, the lettering will be wrapped in copper foil as it is fairly intricate.
Clann Credo with lettering foiled
Panel is now ready for soldering and framing.
Clann Credo panel framed
Panel framed and finished, I used Wissmach glass for this project, finished size is 400mm x 520mm.
Back in January we posted a small panel ” Scene with Poppies ” Shortly after we were contacted by GPQ , and as a result this design has been published in the current issue, along with a pattern and tutorial on how to construct this small panel.