Staying with the ” Tiny Tiffany ” theme this time I have gone for an Apple Blossom design, the background glass here is a Uroboros fracture glass code 10-55 Cobalt Blue, White and Green, this panel can be hung in a window or placed in a stand as shown here, The original panel size is 12 inches, ( 305 mm ) diameter.. The stand can be purchased here http://www.fireliteforms.com/category/39175338 The pattern for this piece can be purchased on etsy as a PDF download here https://www.etsy.com/ie/listing/606937658/round-apple-blossom-stained-glass-panel?ref=shop_home_feat_2 Original panel size is 12 inches, this can be scaled up using the printing instructions included in the PDF download.
This panel is made using Youghiogheny stipple glass, I tried to keep the design fairly simple and let the glass do the work. I have poppies growing wild in my garden and am always struck by the way the red really compliments the green surrounds. For those of you who are interested in reproducing this panel it is now available as a PDF downloadable pattern on etsy; https://www.etsy.com/ie/listing/487015291/poppies-stained-glass-pattern-david?ref=shop_home_feat_4
Here is the completed panel with the natural light behind it, very pleased how this has come out,For those of you who have followed this blog and would like to try a similar piece the original pattern is available here as a free download, we also sell patterns on etsy in the same format as this pattern.Click here to download PDF pattern
We are delighted to be able to offer this design for sale as a full size pattern 38.25 inches x 18.75 inches, ( 972mm x 476mm ) and is available on Etsy https://www.etsy.com/ie/listing/473515336/clematis-stained-glass-pattern-david?ref=shop_home_feat_1. It is in PDF form and can be printed using Adobe Acrobat Reader.
‘An extraordinarily rich, evocative and psychologically penetrating study of a powerful artist and the times she lived through. Nicola Gordon Bowe has restored Wilhelmina Geddes to a central place in the Arts and Crafts movement and drawn a vivid portrait of the difficult life and personality of an original and uncompromising talent … Bowe’s beautifully produced and illustrated book is a major addition to the artistic history of the era, and the part played by women in it; it is also a labour of love’, R.F. Foster, Carroll Professor of Irish History at the University of Oxford. ‘This magnificent book restores an almost forgotten figure to the history of modern art. Working in a medium that presents huge challenges and which is invariably neglected by mainstream art history, Wilhelmina Geddes emerges as a great creative force, a major artist. What Geddes achieved was extraordinary and in Dr Gordon Bowe she has found the perfect biographer’, Tanya Harrod, design historian and co-editor of the Journal of Modern Craft. <; Nicola Gordon Bowe’s magisterial new biography landed in bookshops last week with the force (and some of the weight – it’s about 2.5kg) of a small meteorite .. [it] makes for a fascinating tale … the text is shot through, as it should be, by glorious colour reproductions of the artist’s work, illuminating the narrative as her windows did churches … [it is] an epic work of scholarship, now published as Wilhelmina Geddes: life and work. Thanks to that, the Ireland of 2015 AD has reclaimed a long-lost daughter’, Frank McNally, Irish Times (November 2015). ‘Dubbed the “greatest stained glass artist of our time” upon her death in London in 1955, the Leitrim-born and Belfast-raised Geddes has been terribly overlooked since. This stunningly illustrated, exhaustively researched and engagingly written book is clever and beautiful enough to spark a revival of appreciation,’ Cristín Leach Hughes, Sunday Times (November 2015). ‘As this marvellous book demonstrates, Wilhelmina Geddes was a forceful, original, modern artist of internationally important stature. Beautifully written and sumptuously illustrated, the book not only celebrate the achievements of – arguably – Ireland’s greatest 20th-century artist, but also reveals the epic potential of stained glass as an art form, one that can be equally powerful on the most monumental or miniature scales’, Peter Cormack, author of Arts & Crafts Stained Glass (2015). ‘What a monument of a book! So well-made and well-printed it shows [Geddes’] vast oeuvre … excellent photos … A book to read in one shot for all interested in or studying stained glass, as Geddes is a serious inspiration for future generations’, Angela van der Burght, Glass is More (November 2015). ‘An excellent new book … Gordon Bowe’s meticulous recovery of original material parallels her rewriting into history of this dazzlingly talented artist who was always an outsider’, Medb Ruane, Irish Arts Review (Dec. 2015/Feb. 2016). ‘An immense work, richly illustrated and deeply researched … it is a revelatory work, a beautifully produced showcase of an artist’s work … the images in this book, often of strong saints and prophets, forceful and determined characters such as Ulster still produces, provide more than enough for the reader at home to realise that here indeed was a truly great religious artist’, Peter Costello, Irish Catholic (November
This exhibition piece begins the story of Kennedy Original Stained Glass.
As with many of our pieces, David derives inspiration from the flowers growing in our garden.
We salvaged and restored some old pitch pine gothic frames and added a heavy oak base.
Dimensions including the frame : width 375cm x height 1060cm
This Pattern is now available as a downloadable PDF on Etsy,https://www.etsy.com/ie/listing/620669913/gothic-poppies-david-kennedy-designs?ref=shop_home_feat_1