I am now starting to foil the pieces, I do this by removing them one at a time and then replacing them as I proceed. I find this method works very well as you are able to make minor adjustments as you work across the panel. Here is the panel with all of the foiling complete and I will now proceed with the first soldering, once this has been completed the template can be removed and the first solder can be repeated on the reverse side it is important to be very careful with the panel during these stages. First soldering completed on both sides and the perimeter lead added, you can see the two pieces of black tape securing it to the panel until it is soldered into place.The final bead solder can now be added to finish the panel. Bead soldering completed and patina added and you can clearly see the difference the bead solder makes to the panel, gives it a nice finish.
One is never sure how a color scheme is going to pan out so I have started this panel by cutting a flower, some background and leaves.I have tried different colored centers for the flowers and have settled on Youghiogheny ” Laburnum ” glass. I may yet change these as the panel develops. I have added more of the background glass now which is Youghiogheny stipple glass, code NO 57 ” Neodymium Pink with Peach Gold & Bubblegum “. More background and more flowers and leaves now, flower glass is Youghiogheny code N367 ” Neodymium Pink, Dark Purple and Blue”. Leaves are also Youghiogheny code 1431 ” Lime and Emerald Green “ I have taken the background glass down the left hand side of the panel here and am thinking of introducing some fracture and streamer glass on the right hand side, and also some water effect along the bottom of the panel.
Clann Credo recently celebrated their 20th anniversary as Irelands leading provider of community finance, Since 1996 they have supported over 800 projects with almost €80 million of social finance.
We were approached by the CEO to create a panel based on their logo for presentation to Sister Magdalen Fogarty, one of the founder members.
The panel was to be small enough to hang in a window and framed in wood, this was the first draft of the pattern which was the CEO’s idea.
The idea was agreed and the I made the templates and proceeded to cut the glass, the outside of the panel has been constructed using lead came. This seemed to work better with the design, the lettering will be wrapped in copper foil as it is fairly intricate.
Panel is now ready for soldering and framing.
Panel framed and finished, I used Wissmach glass for this project, finished size is 400mm x 520mm.
Effort number three in my ” Tiny Tiffany ” series is another scene, this time using irises which just work so well in stained glass. Getting some small pieces of yellow in here was a bit of a challenge but like to think I managed it ok. I find using the water glass really adds another dimension even though the piece is so small.
This is a close up of the piece.
When using art glass you invariably end up with lots of different pieces of odd glasses that you simply don’t want to dispose of. After a while these start to mount up and take up space so some thing has to be done with them which leads to this panel. I have taken the idea from a ” Tiffany ” window, I’m not sure how large the original window is but my small panel is 12 inches in diameter, a Tiny Tiffany if you like.
I wasn’t sure how this would work out but I thought I would give it a go anyway, having seen the end result I may well try another one so watch this space.
‘An extraordinarily rich, evocative and psychologically penetrating study of a powerful artist and the times she lived through. Nicola Gordon Bowe has restored Wilhelmina Geddes to a central place in the Arts and Crafts movement and drawn a vivid portrait of the difficult life and personality of an original and uncompromising talent … Bowe’s beautifully produced and illustrated book is a major addition to the artistic history of the era, and the part played by women in it; it is also a labour of love’, R.F. Foster, Carroll Professor of Irish History at the University of Oxford. ‘This magnificent book restores an almost forgotten figure to the history of modern art. Working in a medium that presents huge challenges and which is invariably neglected by mainstream art history, Wilhelmina Geddes emerges as a great creative force, a major artist. What Geddes achieved was extraordinary and in Dr Gordon Bowe she has found the perfect biographer’, Tanya Harrod, design historian and co-editor of the Journal of Modern Craft. <; Nicola Gordon Bowe’s magisterial new biography landed in bookshops last week with the force (and some of the weight – it’s about 2.5kg) of a small meteorite .. [it] makes for a fascinating tale … the text is shot through, as it should be, by glorious colour reproductions of the artist’s work, illuminating the narrative as her windows did churches … [it is] an epic work of scholarship, now published as Wilhelmina Geddes: life and work. Thanks to that, the Ireland of 2015 AD has reclaimed a long-lost daughter’, Frank McNally, Irish Times (November 2015). ‘Dubbed the “greatest stained glass artist of our time” upon her death in London in 1955, the Leitrim-born and Belfast-raised Geddes has been terribly overlooked since. This stunningly illustrated, exhaustively researched and engagingly written book is clever and beautiful enough to spark a revival of appreciation,’ Cristín Leach Hughes, Sunday Times (November 2015). ‘As this marvellous book demonstrates, Wilhelmina Geddes was a forceful, original, modern artist of internationally important stature. Beautifully written and sumptuously illustrated, the book not only celebrate the achievements of – arguably – Ireland’s greatest 20th-century artist, but also reveals the epic potential of stained glass as an art form, one that can be equally powerful on the most monumental or miniature scales’, Peter Cormack, author of Arts & Crafts Stained Glass (2015). ‘What a monument of a book! So well-made and well-printed it shows [Geddes’] vast oeuvre … excellent photos … A book to read in one shot for all interested in or studying stained glass, as Geddes is a serious inspiration for future generations’, Angela van der Burght, Glass is More (November 2015). ‘An excellent new book … Gordon Bowe’s meticulous recovery of original material parallels her rewriting into history of this dazzlingly talented artist who was always an outsider’, Medb Ruane, Irish Arts Review (Dec. 2015/Feb. 2016). ‘An immense work, richly illustrated and deeply researched … it is a revelatory work, a beautifully produced showcase of an artist’s work … the images in this book, often of strong saints and prophets, forceful and determined characters such as Ulster still produces, provide more than enough for the reader at home to realise that here indeed was a truly great religious artist’, Peter Costello, Irish Catholic (November
This is a recent commission, I have never made a ” Lantern ” before but I always try to tackle anything that comes along. I used Spectrum glass for this piece, the red and amber are waterglass and the blue top is rough rolled. The dark green oak leaf is a piece of Kokomo. I used lead came to construct the four panels and then soldered them together before finally adding the finial. © David Kennedy 2015