When using art glass you invariably end up with lots of different pieces of odd glasses that you simply don’t want to dispose of. After a while these start to mount up and take up space so some thing has to be done with them which leads to this panel. I have taken the idea from a ” Tiffany ” window, I’m not sure how large the original window is but my small panel is 12 inches in diameter, a Tiny Tiffany if you like.
I wasn’t sure how this would work out but I thought I would give it a go anyway, having seen the end result I may well try another one so watch this space.
This is a small panel of a hummingbird made with Youghiogheny glass, these are all the pieces cut. I prefer to cut all the pieces before I start foiling as it provides some room for further slight adjustment should it be required.
Once all the pieces are foiled they are then flat soldered using 50/50 enabling me to remove the template. I then attach the perimeter lead and bead solder the piece using 60/40. The finish patina is then applied and a final polish completes the project.
This stunningly illustrated, exhaustively researched and engagingly written book is clever and beautiful enough to spark a revival of appreciation,’ Cristín Leach Hughes, Sunday Times (November 2015). ‘As this marvellous book demonstrates, Wilhelmina Geddes was a forceful, original, modern artist of internationally important stature. Beautifully written and sumptuously illustrated, the book not only celebrate the achievements of – arguably – Ireland’s greatest 20th-century artist, but also reveals the epic potential of stained glass as an art form, one that can be equally powerful on the most monumental or miniature scales’, Peter Cormack, author of Arts & Crafts Stained Glass (2015). ‘What a monument of a book! So well-made and well-printed it shows [Geddes’] vast oeuvre … excellent photos … A book to read in one shot for all interested in or studying stained glass, as Geddes is a serious inspiration for future generations’, Angela van der Burght, Glass is More (November 2015). ‘An excellent new book … Gordon Bowe’s meticulous recovery of original material parallels her rewriting into history of this dazzlingly talented artist who was always an outsider’, Medb Ruane, Irish Arts Review (Dec. 2015/Feb. 2016). ‘An immense work, richly illustrated and deeply researched … it is a revelatory work, a beautifully produced showcase of an artist’s work … the images in this book, often of strong saints and prophets, forceful and determined characters such as Ulster still produces, provide more than enough for the reader at home to realise that here indeed was a truly great religious artist’, Peter Costello, Irish Catholic (November
When using art glass you always seem to end up with odd pieces that you simply have to get into a panel, which is the case here, The background glass dictated everything, the colour of the irises compliments it so well. Only enough for a small panel though.
These Pansies Door Panels were inspired by the work of Kaffe Fasset https://en.wikipedia.org/wiki/Kaffe_Fassett and were my first attempt at producing original work. After spending a few years making reproduction Tiffany Lampshades I was keen to try my own designs.
I used Uroboros and Youghiogheny glass for the pansies and concentrated on the shapes and colors of the blooms, deliberately cramming them together. The inner panels were made using the copper foil method .The green border was then added using lead came framing the flowers and balancing the overall effect.
This is a Poppy panel made with Youghiogheny stipple glass, the design was draw as a sketch and then just adapted for stained glass. This method seems to work best for me, it keeps the design fresh and free flowing rather than the rigid lines of traditional stained glass.