Queen Bee PDF Pattern

Queen Bee PDF Pattern


This is my Queen Bee PDF Pattern. Bees are a fascinating subject so I am going to share a few facts I discovered whilst researching them with you.

Queen Bee PDF Pattern of a bee with flowers under a crown, amber, yellow an brown glass, designed by David Kennedy.
Queen Bee PDF Pattern

Although there are 98 different species of bees in Ireland there is only one native honey bee. It is a subspecies called Apis mellifera mellifera or the Northern dark bee. There are three rare bumblebees in Ireland all threatened with extinction. The Great yellow bumblebee, the Shrill carder bee and the Red-shanked carder bee. Bumblebees would have between 50-200 workers in a nest whereas in honey bee hives it would be 50,000. In Spring a queen Bumblebee would visit up to 6,000 flowers a day to generate the heat and energy to hatch her first eggs. Bees can see primary colors blue, green and ultraviolet. They can identify orange, yellow, blue/green violet and purple but they can’t see red. To bees, the ultraviolet radiation patterns on flowers are as important as the colors. One last thing only female bees can sting. Click the link to view more Stained Glass Patterns

 

Stained glass PDF Pattern Information


  Downloadable PDF pattern prints actual size 15 3/4 inches x 15 3/4 inches, ( 400 mm x 400 mm ) across six pages. Instructions are included for enlarging the pattern to your required size when printing. You will need Adobe Acrobat Reader to print this pattern.

 

Copyright Information


This Queen Bee PDF Pattern( © David Kennedy Designs) copyright 2020. All rights reserved. It is illegal to distribute this stained glass pattern online or in hard copy without written permission from David Kennedy. This stained glass pattern is for personal use only. Permission allowed for limited use of this stained glass pattern for projects to sell at local crafts shops. Raising funds for charity at auctions or raffles is also allowed. Any postings online of finished projects also allowed. If you would please give credit to David Kennedy Designs for the pattern as a courtesy. Please do not post or distribute this stained glass pattern on another website.

Queen Bee PDF
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Slade Poppies Part 2

 

Slade Poppies Part 2


I have called this post ” Slade Poppies Part 2 ” as it is about bringing the top and bottom section together. The second row of flowers have now been added and at this point, I am quite happy with the way things are progressing. Even so one can never be sure exactly how it’s going to look once the backlighting is introduced. The method I use is to hold the glass up to the light and make my selection before cutting and proceed that way. It’s the same system I use for all my work, something I have developed over many years. A lot of glass artists like to mount their pieces on a sheet of clear glass using Blu Tack which is then held up to the light. This provides a comprehensive preview of the panel, although it would be fairly time-consuming.


Slade Poppies adding more flowers

 

With the top and bottom sections progressing so well I have now decided to build the two sides. This will help connect the two sections together. Starting out with the right-hand side which worked out well I then moved onto the left. I have also added a couple of blooms just above the leaves. Feeling pretty good about the way it’s going now and looking forward to filling in the middle section.

 

Slade Poppies filling in the sides

Slade Poppies Final Part

Slade Poppies ( Initial Stage )

 

Slade Poppies ( Initial Stage )First Cuts


There is never a particular place for starting to cut out the glass for a project. With this panel, I began by first cutting the leaves and soil pieces at the bottom of the panel. I was fairly confident with my glass choices here, using a  Youghiogheny stipple glass 4117 SP green, ice white, bluish-grey was for the leaves and a granite backed Uroboros 65 – 17 light & dark browns for the soil pieces. The spaces for the seed pods have been left empty at this stage as I will add them later when I have a better idea of the finished panel.


Slade Poppies top and bottom sections

 

The top and bottom background pieces were then cut from the whole sheet of Uroboros 10 – 16 light & dark browns, turquoise with mini fractures. This is can be tricky even with the use of a band saw so worth taking your time over. The two sides have worked out fine but the middle piece has broken off in slightly the wrong place. These things happen which means I will have to adjust the pattern slightly by moving a couple of flowers.

Slade Poppies ( Initial Stage ) Adding The Flowers



Slade poppies adding the flowers

With the first of the flowers cut I am able to position them on top of the background glass. I then mark around them using a fine permanent marker. The background can now be cut away using the band saw, leaving a perfect fit for the flower. This can be a slow process but the advantage is I am able to build up the image as I go. The glass used for the poppies is Uroboros 60 – 25 red & orange with white.

Slade Poppies flowers adjusted
Here I have managed to re-position the two flowers in the middle of the panel. This completes the top and bottom sections leaving the central part to do. However, now everything is back on track I am feeling confident of a successful outcome.

Slade Poppies Part 2

Poppies at Slade ( Introduction )

Poppies at Slade ( introduction )


The story of this Poppies at Slade panel began around five years ago. While in the UK on a family holiday I was fortunate enough to visit Kansa Stained Glass in Yorkshire where I purchased these two fantastic sheets of Uroboros art glass. This glass has become very hard to obtain in Europe so to find two whole sheets definitely made my day. I have created many poppy panels over the years as the grow wild down here in Slade and are a constant inspiration so my first thoughts were of a large poppy panel. it has however taken this long to bring it to fruition.

Poppies at Slade introduction
This sheet was where I created the basic structure of the panel. Using fairly transparent tracing paper I sketched out the flowers and then adjusted them to suit the background. This way I was able to select the background glass I wanted to show. I also wanted to add a soil layer at the bottom of the panel which gave me a bit to play within my glass selection. The code for this sheet is Uroboros – 10 – 16 Light and dark browns, turquoise with mini fractures.

Poppies at Slade Flowers
The code for this sheet is Uroboros 60 – 25 Red and orange with white. This sheet I would use for my poppies. Once again I would need another glass for some foliage. I wanted to try and weave these two sheets together just using the color within the glass to create the panel. The background glass in particular made me think of a Liberty/Art Nouveau feel. I started a design but for one reason or another, I had to put it aside. Eventually, in October of 2018, I managed to get back to it and produce three patterns, one full size ( 23 x 34.5 inches ) one reduced size ( 15.75 x 36 inches ) and a pair of door panels ( 10.25 x 36.75 inches ) each panel with an optional border.

Slade Poppies Initial Stage

Round Apple Blossom

Round Apple Blossom Pattern


The Apple Blossom with its beautiful pink and white flowers is in fact a member of the rose family. Appearing from early May apple blossoms are larger and more robust than similar cherry blossoms. They produce a sweet scent that attracts bees and other insects. Flowering between 3 to 10 days when pollination occurs, after which time they lose their petals. They are also said to represent good fortune, hope and preference which make them a perfect subject for stained glass.

I have decided to stay with the ” Tiny Tiffany ” format of a 12-inch round panel for this Apple Blossom design. The background glass is a Uroboros fracture glass code 10-55 Cobalt Blue, White and Green. Gold pink and white, plus gold pink and purple make up the flowers and the leaves are light green with spring green highlights. This is a great project if you have lots of scrap art glass and makes a beautiful Mothers Day gift. You can display the panel in a window or placed it on a stand as shown here. The original panel size is 12 inches, ( 305 mm ) in diameter.Round Apple Blossom panel mounted in a crescent stand

 

The stand is available here

http://www.fireliteforms.com/category/39175338 

Stained Glass Pattern Information


Downloadable PDF pattern prints actual size 12-inch diameter, ( 305 mm x 305 mm ) across four pages. Instructions provided for enlarging the pattern to your required size when printing. You will need Adobe Acrobat Reader to print this pattern.

Copyright information


Round Apple Blossom Pattern. © David Kennedy Designs 2016. All rights reserved.
It is illegal to distribute this stained glass pattern online or in hard copy without written permission from David Kennedy.
Please do not post or distribute this stained glass pattern on other websites.

The pattern for this piece is available in the pattern store as a PDF file. The original panel size is 12 inches which can be scaled up using the printing instructions included in the PDF download.

Round Apple Blossom PDF
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Here is a link to a previous post covering the latter stages of construction of this Apple Blossom

Round Clematis Tutorial 2

Round Clematis Tutorial 2


This post will cover steps 7 to 10 in this Round Clematis Tutorial.

Step 7

Round Clematis step 7

 

I am now adding some Uroboros fracture and streamer glass code 11-296 down the right-hand side. This will introduce a different more broken translucent light effect. Also, I still want to include a small strip of water glass at the bottom of the panel. Although I will now leave this until last as I am happy with the way everything else is progressing.


Step 8

Round Clematis step 8

 

The remaining fracture and streamer background glass is now in place. I’ve added the last two flowers and the rest of the leaves as well. Now I have to make a decision on how to introduce the strip of water glass into the composition. I am thinking of a simple straight line, this will help to give the panel a base. Also to put it behind the flower and leaf petals so it appears in the distance.


Step 9

Round Clematis step 9

With the water glass added and all the pieces now cut, I can see the complete picture and am quite happy with the result. The next step in the process will be to place the cut pieces on a lightbox. This involves putting all the pieces on a clear sheet of glass and placing it over a light source. This will give me a good idea of how the finished panel will appear and flag up any obvious mistakes. These can then resolved before foiling begins.


Step 10

Round Clematis step 10

On the light-box now and although it’s difficult to see I’m quite happy with the way everything looks. Of course, I have the benefit of years of experience here. If you are new to stained glass it’s all about developing your own process or way of working. The best advice I could give to you is to make small projects. That way you will repeat the process every time. Pattern preparation, cutting and fitting pieces, foiling, soldering, cleaning and polishing.

Links:

Click here to download PDF pattern

Round Clematis Tutorial 3

Round Clematis Tutorial 1

Round Clematis Tutorial 1


In this Round Clematis Tutorial 1 I will cover the next four steps. They mainly cover the background on the left-hand side of the panel.

Round Clematis Tutorial Step 3

Round Clematis photo 3

You can never be quite sure how a color scheme is going to turn out. So I have started this panel by cutting two flowers, some background and leaves. This is the color scheme in my mind at this point so laying it out will help future glass choices. I have settled on a Youghiogheny ” Laburnham ” glass for the flower centres. This may yet change as the panel develops. I find it’s best to keep ideas fluid in the early stages.


 Step 4

Round Clematis Tutorial 1 photo 4

Continuing to build up the picture I have now added more of the background glass. This is a Youghiogheny stipple glass, code NO 57 ” Neodymium Pink with Peach Gold and Bubblegum. The background glass has a rather nice natural effect which I am trying to work into the panel. This means cutting the pieces very carefully using a band-saw. 


 Step 5

Round Clematis Tutorial photo 5

Now with more background, flowers and leaves added. Flower glass is Youghiogheny code N367 ” Neodymium Pink, Dark Purple and Blue”. Leaves are also Youghiogheny code 1431 ” Lime and Emerald Green “. You can now see the natural effect starting to appear in the background. I have used this to create some interest and balance the flowers on the opposite side.


 Step 6

Round Clematis Tutorial photo 6

I have taken the background glass down the left-hand side of the panel. I am now thinking of introducing some pink fracture and streamer glass on the right-hand-side. This is to create more interest and texture behind the lower flowers. I would also like to introduce some water effect along the bottom of the panel. For this, I will use a ripple effect glass.

Links

Click here to download the PDF pattern

Round Clematis Tutorial 2

Round Clematis Free Pattern

Round Clematis Free Pattern


I am going to do a step by step tutorial over the next few posts. These will show the methods and various processes that I go through in the creation of a stained glass panel. For those of you who would like to participate, I have put in a link to download this Round Clematis Pattern for free. So the client I have wants a Clematis design in a circular panel. To fit the brief I have taken a pattern I designed for a 305 mm diameter clematis pattern and enlarged it to 474 mm. I am also going to adapt it slightly to incorporate a water glass effect, here is the original panel.

12 " diameter round clematis panel

 

The client really likes this design but would prefer the color scheme used in the “Blue Clematis” panel below. This is a large rectangular shape measuring  38.25 x 18.75 inches so unsuitable for their requirements. We have agreed on enlarging the smaller circular panel and that I will incorporate the colors and composition elements from the “Blue Clematis” panel into the new design.

 

Blue Clematis

 

So I have enlarged my PDF pattern and printed it out, making two copies. One for my template and one for cutting the glass pieces out. I use a pair of foil shears to cut out the separate pieces, these have a three-blade design to leave space for foil and solder. I will adapt the pattern slightly at the bottom to include some water glass but have decided to do this later in the process.

Round Clematis Step 1


Round Clematis Photo 1

Step 2


To create a nice neat circular edge I have cut a round template at 464 mm diameter using a router and 4mm MDF board. This will be fixed to a baseboard using horseshoe nails. I have allowed for the width of the perimeter lead which will frame the finished panel at 474 mm. These calculations have to be quite exact and are well worth spending your time on.

 

Links:

Click here to download PDF pattern

Round Clematis Tutorial 1

Round Magnolia Tutorial

Round Magnolia Tutorial


Round Magnolia in a stand, 16 inch round stained glass magnolia panel in window stand, pink flowers on a turquoise background.
16″ Diameter Round Magnolia in a Stand

Round Magnolia Tutorial Introduction


Pictured above is a 16″ diameter Round Magnolia panel placed in a stand on a windowsill. The glass used in this panel is Wissmach which gives the subject a very flat oriental look. In this post, I will go through the various stages of the construction of this pattern. For this, I will use the same pattern but 12″ diameter and Youghiogheny Glass. This will produce a much different effect.

Step 1

Round Magnolia step 1 cutting out the five lilac flowers in 12" round template.
In the first step above I have cut out the five flowers. I don’t always do this but every panel is different and so I change my approach. For this piece I am sure of the flowers, the tricky bit will be the background glass.

Step 2

Round Magnolia step 2 cutting the green background glass to fit the circular edge.
After making my glass selection I cut the outer edge first, then grind to ensure a nice neat fit.

Step 3

Round Magnolia step 3 fitting the outer edge background piece.
I then make my other cuts and fit the piece around the flowers. A ring saw can be a very useful tool here.

Step 4

Round Magnolia Tutorial step 4 more green background glass added, branches and leaves cut.
Some more background added now plus all the branches and leaves. I can see the picture starting to emerge.

Step 5

Round Magnolia Tutorial step 5 lower green background glass added

The lower background now complete, I have used a darker shade for these pieces.

Step 6

Round Magnolia Tutorial step 6 all pieces cut and on the lightbox.
With all the pieces now cut I have placed the panel on a lightbox to check on progress. I am happy enough so far but would also like to see it with daylight coming through.

Step 7

 Magnolia Tutorial step 7 panel all cut with daylight shining through
I have fixed my template to a sheet of clear glass and placed it up against a window. You can see the difference in how the light affects the panel it’s so much sharper with the daylight. Time for foiling and soldering.

Step 8

 Magnolia Panel step 8 completed and hanging by a chain in a window.
Here is the finished panel hanging in a window. You can see now the difference that glass selection makes to a finished panel. Also how you can create a different feel and look using the same pattern.