Cherry Blossom Transom Pattern

Cherry Blossom Transom Pattern


 Cherry Blossom Transom pattern 33.5 x 18 inches. This size would fit above a doorway and could also hang at the top of a window frame. Instructions for adjusting the pattern size before printing are supplied in the PDF download. Custom sizes available on request.

Cherry Blossom Transom Pattern of pink cherry blossoms on a brown tree branch against a blue sky, surrounded by a blue and amber mottled border.
Cherry Blossom Transom Pattern

It’s April and everywhere across the northern hemisphere, Cherry Blossom trees are blooming. Here in Ireland Herbert Park in Dublin has the largest number of trees in the capital. They are also visible in St Stephens Green, Trinity College and the Botanic Gardens.
The country most famous for these beautiful trees would have to be Japan. Here every spring “Hanami” is celebrated with outdoor festivals, picnics and parties. These take place during both day and night time under the blooming trees. This tradition dates back as far as the 8th century and is very much the highlight of the Japanese calendar.

Stained Glass PDF Pattern Information


  Downloadable PDF pattern prints actual size 33.5 inches x 18 inches, ( 853 mm x 458 mm ) across nine pages. Instructions are included for enlarging the pattern to your required size when printing. You will need Adobe Acrobat Reader to print this pattern.

Copyright Information


 Cherry Blossom Transom PDF Pattern( © David Kennedy Designs) copyright 2021. All rights reserved. It is illegal to distribute this stained glass pattern online or in hard copy without written permission from David Kennedy. This stained glass pattern is for personal use only. Permission allowed for limited use of this stained glass pattern for projects to sell at local crafts shops. Raising funds for charity at auctions or raffles is also allowed. Any postings online of finished projects also allowed. If you would please give credit to David Kennedy Designs for the pattern as a courtesy. Please do not post or distribute this stained glass pattern on other websites.

Cherry Blossom Transom PDF
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Slade Poppies

Slade Poppies, Closing in the Middle


Finishing up this Slade Poppies panel now after adding more blooms on both sides the picture is starting to emerge, really feels like it is coming together now. I still have the seed pods and some flower centres to do but for now, I am concentrating on the remaining flowers.

Slade Poppies PDF Pattern,Closing in the middle

Nearly there now, just have the last three flowers to do.Once every piece is cut I will then commence foiling, making any further adjustments as I proceed. The next process would be the first solder on the front of the panel. Panel is then very carefully turned over and the first solder repeated on the rear. I would then add the 12 mm zinc framing before doing the final bead soldering of all the seams. The panel would then have to be thoroughly cleaned before the patina can be applied. Acetone can be very useful in preparing the Zinc prior to application.

Last three flowers
Last three flowers
Completed Panel
Completed Panel

Here is the completed panel, lit from behind by daylight. I am really pleased with the way this has turned out, it is so nice to be able to bring a project to fruition so long after the initial idea.
Slade Poppies pattern prints full size 34.5″ x 23″ ( 880 mm x 590 mm ) on twelve sheets of A4 paper. Alternatively, you can take the PDF file to a print shop and have it printed on one sheet of paper. I can provide custom sizes and adjustments if required. Thank you for your time and interest in my work.
David Kennedy

For those of you that are interested in the symbolism and meanings of poppies click here

Poppies at Slade PDF
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Snowdrops PDF Pattern

Snowdrops PDF Pattern 


This is the first post for some time because of some issues I have had with my website over the last six months. I won’t bore you with the details as I am confident that they are now ironed out. As with many other businesses during this pandemic commissions and other work have dried up. Trying to take the positive out of this situation has given me the opportunity to produce some new pattern designs. This has involved learning how to use digital software, which has been interesting to say the very least.

Snowdrops are one of the first flowers to show in late January, early February time and are a favourite among Irish gardeners. If you would like to view the largest collection of snowdrops in Ireland then Bellefield House, Co Offaly is the place to visit. This Snowdrops PDF pattern, which seems apt for this time of year contains 216 pieces. It measures 400 mm square and has a circular option if required. Click the link  to view more Stained Glass Patterns 

 

Snowdrops Stained Glass Pattern Design by David Kennedy

   Stained Glass PDF Pattern Information


  Downloadable PDF pattern prints actual size 15 3/4 inches x 15 3/4 inches, ( 400 mm x 400 mm ) across six pages. Instructions are included for enlarging the pattern to your required size when printing. You will need Adobe Acrobat Reader to print this pattern.

Copyright information


This Snowdrops PDF Pattern( © David Kennedy Designs) copyright 2020. All rights reserved. It is illegal to distribute this stained glass pattern online or in hard copy without written permission from David Kennedy. This stained glass pattern is for personal use only. Permission allowed for limited use of this stained glass pattern for projects to sell at local crafts shops. Raising funds for charity at auctions or raffles is also allowed. Any postings online of finished projects also allowed. If you would please give credit to David Kennedy Designs for the pattern as a courtesy. Please do not post or distribute this stained glass pattern on other websites.

Snowdrops PDF
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$9.99

 

Round Clematis Tutorial 3

Round Clematis Tutorial 3


 Round Clematis Tutorial 3, in which I cover steps 11 – 14 including foiling, flat soldering, outer lead attachment, final soldering and applying the patina.

Step 11

Round Clematis Tutorial 3 step 11

I am now starting to foil the pieces, I do this by removing them one at a time and then replacing them as I proceed. I find this method works very well as you are able to make minor adjustments as you work across the panel. It is important during this process to make sure you burnish the foil onto the edge of the glass. I always use a putty knife for this process.


Step 12

Round Clematis Tutorial 3 Step 12

Here is the panel with all the foiling complete. I will now proceed to flat solder the panel on the front side. I use 50/50 solder to do this if I have any, if not 60/40 will do. Once the front face has been flat soldered, remove the template and repeat the process on the reverse. I use a “U” shaped lead came to provide a nice neat finish to the outside edge of the panel.


Step 13

Round Clematis Tutorial 3 step 13

First soldering completed on both sides and the perimeter lead in place. You can see the two pieces of black tape securing the ends to the panel. It’s always good practice to place the join on a seam for neatness. The final bead solder can now take place to finish the panel.


Step 14

Round Clematis Tutorial 3 step 14

Once the bead soldering is complete all flux and solder residue should be removed. I would use hot water and a little detergent for this, then clean with” 0000 ” steel wool. This will make the patina take a lot better. Finally, I use a little black stove polish on a brush to buff up the finished panel.

Links:

Click here to download PDF pattern

Round Clematis Panel:

Round Clematis Tutorial 1

Round Clematis Tutorial 1


In this Round Clematis Tutorial 1 I will cover the next four steps. They mainly cover the background on the left-hand side of the panel.

Round Clematis Tutorial Step 3

Round Clematis photo 3

You can never be quite sure how a color scheme is going to turn out. So I have started this panel by cutting two flowers, some background and leaves. This is the color scheme in my mind at this point so laying it out will help future glass choices. I have settled on a Youghiogheny ” Laburnham ” glass for the flower centres. This may yet change as the panel develops. I find it’s best to keep ideas fluid in the early stages.


 Step 4

Round Clematis Tutorial 1 photo 4

Continuing to build up the picture I have now added more of the background glass. This is a Youghiogheny stipple glass, code NO 57 ” Neodymium Pink with Peach Gold and Bubblegum. The background glass has a rather nice natural effect which I am trying to work into the panel. This means cutting the pieces very carefully using a band-saw. 


 Step 5

Round Clematis Tutorial photo 5

Now with more background, flowers and leaves added. Flower glass is Youghiogheny code N367 ” Neodymium Pink, Dark Purple and Blue”. Leaves are also Youghiogheny code 1431 ” Lime and Emerald Green “. You can now see the natural effect starting to appear in the background. I have used this to create some interest and balance the flowers on the opposite side.


 Step 6

Round Clematis Tutorial photo 6

I have taken the background glass down the left-hand side of the panel. I am now thinking of introducing some pink fracture and streamer glass on the right-hand-side. This is to create more interest and texture behind the lower flowers. I would also like to introduce some water effect along the bottom of the panel. For this, I will use a ripple effect glass.

Links

Click here to download the PDF pattern

Round Clematis Tutorial 2

Poulfur School Window Installation

Poulfur Window Installation


Poulfur Window Installation. This post follows on from the previous Poulfur Window and the Poulfur School Commission posts.

Poulfur School Window Installation before fitting the secondary frame.

With all the sixteen panels and the two frames complete it was now time to install the window. The first job was to fix the two secondary frames into the window recesses top and bottom. These frames will fit flush up to the window, exactly matching the existing frame. Once they are in place we will fit the sixteen separate panels that make up the whole installation.

Poulfur School Window secondary frames fitted

Frames installed and the first big sigh of relief. You can see from the pictures above that both secondary frames have a cross-member fitted. This provides added strength and support for the leaded panels which we will begin to fit now.

Fitting The Panels


Poulfur School Window first two panels fitted

We have decided to start in the top left-hand corner and work across and down. The upper frame is actually six inches taller than the lower frame. Here are the first two panels in situ, so far so good

Poulfur School Window three panels fitted

This is panel no three showing the very top of the lighthouse installed. This is the largest panel in the whole installation so we were glad to see it in place. Second big sigh of relief, this concluded our first days’ work.

Poulfur Window Installation Day Two


Poulfur School Installation 5 panels installed in top section

Day 2 and we now only have one more panel to fit in the top section, everything lining up and progressing well.

Top section completed and two left-hand side panels installed in the bottom section

The top section completed and two left-hand side panels of the lower section fitted.

Upper section completed three panels fitted in lower section

We were glad to see this central panel in place as it is the focal point of the whole installation.

Poufur School Window Installation completed

Poulfur School Window Installation completed! Here is the finished window photographed from the upper floor through a glass screen. There is a floor to ceiling glass screen on the upper floor that allows a full view of the window.

Round Magnolia Tutorial

Round Magnolia Tutorial


Round Magnolia in a stand, 16 inch round stained glass magnolia panel in window stand, pink flowers on a turquoise background.
16″ Diameter Round Magnolia in a Stand

Round Magnolia Tutorial Introduction


Pictured above is a 16″ diameter Round Magnolia panel placed in a stand on a windowsill. The glass used in this panel is Wissmach which gives the subject a very flat oriental look. In this post, I will go through the various stages of the construction of this pattern. For this, I will use the same pattern but 12″ diameter and Youghiogheny Glass. This will produce a much different effect.

Step 1

Round Magnolia step 1 cutting out the five lilac flowers in 12" round template.
In the first step above I have cut out the five flowers. I don’t always do this but every panel is different and so I change my approach. For this piece I am sure of the flowers, the tricky bit will be the background glass.

Step 2

Round Magnolia step 2 cutting the green background glass to fit the circular edge.
After making my glass selection I cut the outer edge first, then grind to ensure a nice neat fit.

Step 3

Round Magnolia step 3 fitting the outer edge background piece.
I then make my other cuts and fit the piece around the flowers. A ring saw can be a very useful tool here.

Step 4

Round Magnolia Tutorial step 4 more green background glass added, branches and leaves cut.
Some more background added now plus all the branches and leaves. I can see the picture starting to emerge.

Step 5

Round Magnolia Tutorial step 5 lower green background glass added

The lower background now complete, I have used a darker shade for these pieces.

Step 6

Round Magnolia Tutorial step 6 all pieces cut and on the lightbox.
With all the pieces now cut I have placed the panel on a lightbox to check on progress. I am happy enough so far but would also like to see it with daylight coming through.

Step 7

 Magnolia Tutorial step 7 panel all cut with daylight shining through
I have fixed my template to a sheet of clear glass and placed it up against a window. You can see the difference in how the light affects the panel it’s so much sharper with the daylight. Time for foiling and soldering.

Step 8

 Magnolia Panel step 8 completed and hanging by a chain in a window.
Here is the finished panel hanging in a window. You can see now the difference that glass selection makes to a finished panel. Also how you can create a different feel and look using the same pattern.

Halloween Skull PDF

Halloween Skull PDF


I love creating skull patterns so a Halloween Skull PDF is too much to resist. The colors of course are simple enough, orange and black which I have used here for the border and top hat. The skull is a white ring mottle glass, to give him a spooky look. Iridized crackle glass and iridized waterglass make up the cobwebs in the background. There are also a few glass globs thrown in for good effect. Once I had him drawn up I thought he’s going to need a name so that’s where Cobweb Eddy came from, suits him too. 136 pieces and four glass globs in this pattern if you are brave enough to tackle this bad boy in time for Halloween.

Halloween Skull PDF Pattern of Skull in black top hat surrounded by cobwebs, designed by David Kennedy
Halloween Skull PDF

Halloween is now a modern-day global feast day. But it’s origins lie in Ireland in the Celtic feast of “Samhain” pronounced “Sow-in”. This was a celebration of the harvest, the end of summer and the start of the Celtic new year. It is still marked to this day with the Puca festival, three days of fire, feasting and music. Here is a link if you are brave enough to visit: https://www.pucafestival.com/

Stained Glass Pattern Information


Downloadable PDF pattern prints actual size 17 inches x 17 inches, ( 440 mm x 440 mm ) across six pages. Instructions provided for enlarging the pattern to your required size when printing. You will need Adobe Acrobat Reader to print this pattern free at https://get.adobe.com/reader/.

The pattern for this panel is now available to purchase as a PDF download in the pattern store

Copyright information


Halloween Skull PDF Stained Glass Pattern (© David Kennedy Designs) copyright 2020. All rights reserved.
It is illegal to distribute this stained glass pattern online or in hard copy without written permission from David Kennedy.
Please do not post or distribute this stained glass pattern on other websites.

The Shamrocker

Pirate Skull

Cobweb Eddy PDF
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$9.99

Poulfur School Window

Poulfur School Window


 

Welcome to the second part of the Poulfur School Window story. In the last post, I covered the design and the construction of the top four panels in the upper section. I am now moving onto the lower four panels in the upper section. Once again I have started with the largest panel which contains most of the detail of the lighthouse.

Lighthouse Panel


Poulfur School Window lighthouse panel

I have managed to incorporate four plain bevels into the light section here. Three of which I have had to cut, these are the only pieces of clear glass in the whole installation. They appear white here due to the paper pattern underneath the glass. This can be a little disconcerting during construction but I am sure it will look very effective.

Poulfur School window lighthouse bevels close up

Here is a close up of the bevel pieces. I have used Spectrum Waterglass on either side to add to the effect of shining light. English Muffle and other textured glass were also used in the window to give it some ” sparkle ” if you will.

Here is a large image of the panel with the light coming through. You can now see the effects of the different glass textures. Its also worth noting how the light changes the colors of the glass

The Three Side Panels


With this panel completed, I then move onto the three smaller side panels. Here they are after cementing and you can see the different glass textures. Once the cement has dried they will receive a thorough cleaning before installation. With these eight panels finished this completes the top section of the window.

The Lower Window Section


Poulfur School Window Lower section left hand side panels

Moving on to the bottom section of the window, I took a different approach by making the side panels first. Here are panels 9 and 10 in situ in the frame before the cementing process.

Poulfur School Window, upper central panel in the lower section

The central panel was quite important in the appearance of the window. This involved some tricky cuts so by doing it last I was able to line everything up.

Central panel with right-hand side panel

Here is the central panel with the right-hand side panel. The gap between the two panels is 150mm which represents the frame, you can now see how everything lines up.

 

Central panel with left-hand side panel

The left-hand side panel is shown here with the central panel. These four panels complete the third section of the window.

The Final Four Panels


Once again I have started with the outside panels. The right-hand side has one panel and the two go on the left.

Final three side panels Poulfur School Window

I have added the flowers to introduce a bit more colour into the composition. The red and white represent the school sports colours. They are also the colours of the local Fethard-on-Sea GAA club St Mogues.

The Final Panel


 

Here is the central panel under construction. There are a lot of curves in this panel which made it very labour intensive.

Poulfur School window final panel under construction

Here is the panel completely cut and ready for soldering at all the joints, followed by cementing.

Final Panel all cut and leaded
We now have all sixteen panels completed. Next up will be installing the frames and hoping everything lines up, fingers crossed.