This was the design I came up with and I would have to say it involved quite a lot of work. There are sixty- nine pieces of glass here and quite fiddly keeping them together while I soldered them into place.
All the glass used here is Uroboros which I thinks works quite well. The body is 00-74 Emerald, Yellow Green and Light Green, the eyes are 00-21 Ruby, Golden Yellow, Red on White, I cut the centers and surrounds from the same sheet. The inner wings are 00-78 Light Green with Spring Green, one of my favorite glasses. Finally the red tips are 60-25-5 Red,Orange and white.
At this point I’m not sure if I will make another as time was a big factor here. It was a good way of using up small pieces of glass though, those pieces that are just to good to throw away. I used a 14 swg tinned copper wire to make the stamens which also serve as hooks from which to hang the chain.
Koi Fish and Maple Leaves is a 17 inch diameter panel made with Wissmach Glass.You can check out their website here where you will find a comprehensive selection of glass. https://www.wissmachglass.com/ .
It is made using the copper foil method of construction and edged in 4 x 4 mm lead came. Add a chain and hang it in a window of your choice to fully enjoy the bright, vibrant colors.
On a sadder note this is only the second post on here this year, due mainly to a number of deaths in my family.Whilst this has been a very sad and difficult time, at some point I feel you have to try and move on.
Which brings us to this design. In Japanese culture the Koi Fish represents good fortune, luck and abundance and we all could do with some of that .This panel is inspired by the story of the koi swimming upstream in the fall, hence the maple leaves. Legend has it that if it succeeded in climbing the falls at a point called rainbow gate on the yellow river, it would be transformed into a dragon. Based on that legend , the koi fish has become a symbol of worldly aspiration and advancement.
It is now available as a free pattern in the latest edition of Glass Patterns Quarterly, along with a step by step tutorial .This is the Fall edition and is packed full of patterns and projects to try, all for the bargain price of only $6. Stained glass, fused glass, tips, latest news from the world of glass. I think they have covered about everything here along with a 16 page pattern sheet. You will have plenty of inspiration for the holiday season.
Don’t miss it, here is a link to their website https://www.glasspatterns.com/index.php?option=com_mijoshop&view=product&product_id=1402&Itemid=49
The story of this panel began a few years ago whilst I was visiting family in the UK. I managed a visit to Kansa Stained Glass where I was fortunate enough to purchase two sheets of Uroboros art glass which is hard enough to find at the best of times. The first sheet I pulled out of the rack was this one, code 10-16-5 Light & dark browns, turquoise with mini fractures.My first thoughts were I loved the colors and it would make a great background glass.
The next sheet I pulled out was this one 60-25-5 Red,orange & white at this point I thought “Poppy panel “. Over the next few years I made a few attempts at a pattern, which for various reasons I had to shelve. However in October 2018 a window of time opened up so I went for it. The colors of the two sheets gave me a feel of Liberty/Art Nouveau which strongly influenced the final design.
I have cut the top and bottom background here.The leaves ( Youghiogheny stipple 4117 Green, ice white & bluish grey ) and the soil ( Uroboros granite backed 65-17 Light & dark browns ). Ready to add the flowers now so hoping I’ve got it right.
Staying with the ” Tiny Tiffany ” theme this time I have gone for an Apple Blossom design.The background glass here is a Uroboros fracture glass code 10-55 Cobalt Blue, White and Green. This panel can be hung in a window or placed in a stand as shown here. The original panel size is 12 inches, ( 305 mm ) diameter.
I am now starting to foil the pieces, I do this by removing them one at a time and then replacing them as I proceed. I find this method works very well as you are able to make minor adjustments as you work across the panel.
Here is the panel with all of the foiling complete and I will now proceed with the first soldering. Once this has been completed the template can be removed and the first solder can be repeated on the reverse side. It is important to be very careful with the panel during these stages.
First soldering completed on both sides and the perimeter lead added, you can see the two pieces of black tape securing it to the panel until it is soldered into place.
The final bead solder can now be added to finish the panel. Bead soldering completed and patina added and you can clearly see the difference the bead solder makes to the panel, gives it a nice finish.
I have started to add some Uroboros fracture and streamer glass code 11-296 down the right hand side of the panel, still thinking of add a small strip of water glass at the bottom of the panel.I like to use glasses with different texture as I feel it really adds to the overall effect.
I’ve added the last two flowers and the rest of the fracture and streamer here and I think it definitely needs the water glass to complete the panel.
Water glass added and all the pieces are now cut, I am quite happy with the result so far however before I start to foil I will put the panel on the light-box.
On the light-box now and although it’s difficult to see I’m quite happy with the way everything looks so the next step is to start foiling.
One is never sure how a color scheme is going to pan out so I have started this panel by cutting a flower, some background and leaves.After having tried a few different colored centers for the flowers I have settled on Youghiogheny ” Laburnum ” glass. This may yet change as the panel develops.
I have added more of the background glass now which is Youghiogheny stipple glass, code NO 57 ” Neodymium Pink with Peach Gold & Bubblegum “.
More background, and leaves now in this picture. Flower glass is Youghiogheny code N367 ” Neodymium Pink, Dark Purple and Blue”. Leaves are also Youghiogheny code 1431 ” Lime and Emerald Green “.
I have taken the background glass down the left hand side of the panel here and am thinking of introducing some fracture and streamer glass on the right hand side.
For this project I have taken a pattern I designed for a 305 mm diameter clematis pattern and enlarged it to 474 mm, I am also going to adapt it slightly to incorporate a water glass effect, here is the original panel
Client likes this design but would prefer the color scheme used in this panel..
So I have enlarged my PDF pattern and printed it out I will now make two copies, one for my template and one for cutting the glass pieces, I am going to adapt the pattern slightly at the bottom but will do this when I have most of it cut. Using a router and a sheet of 4 mm MDF I have cut a round template at 464 mm diameter which I have fixed to a base board using horse shoe nails, this allows for the width of the perimeter lead which will finish the panel at 474 mm. These calculations have to be quite exact and are well worth spending time on.